Another great feature is that you can easily wash them if soiled.
They are, however, very portable and generally look good. Because muslin backdrops have been in use for a long time, some photographers don’t pay much attention to them. They come in various weights and sizes and can be dyed in a single color, have color splotches, or be hand painted. Muslin backdrops are constructed from a cotton fabric. The lack of a seam makes the image appear to float with an infinite background. This makes it ideal for product photography as well as studio shots. Seamless paper provides flooring as well as the backdrop without a visible interface between the floor and the background. In addition, if you have colored paper, the background colors can seep into the edges of your subject. The cons of using seamless paper are: the rolls can be awkward to transport if a wide size (even just from the store to the studio), the paper can be easily damaged, and the backgrounds have no texture. There are pros of using seamless paper: the look is clean, you can modify the background colors with lighting, and the images can be cut out for background replacement. When I missed one of the last limited edition launches, I tagged Replica Surfaces on Instagram and when it relaunched, she made sure to reach out to me (almost a month later) and tell me that the designs were coming back.Product photo on a seamless white paper backdrop I truly believe it’s because of these surfaces and how much they add to my photos.
Which for my very part-time side hustle, is amazing. I’ve gone from getting a few clients here and there to 5-10 consistently every month.
Before I would use a wood table for every shot, but now with Replica Surfaces, I can make the background match the feel/mood of the food I’m presenting.
I now have 8 of them! They are so versatile and worth EVERY PENNY! They are exactly what my food photography was missing. I have been admiring Replica Surfaces from afar for nearly a year and I finally decided to take a leap of faith and buy some.
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